The lily was mostly silent. Sometimes it judged the other lily who took smoke breaks. Otherwise, the other lily was fairly quiet and obedient as well. For the most part, the first lily maintained its strong silence, its perfect silence, its godly silence. And then it somehow ended up in a parable, and that is not really silence.
The one thing he could never tire of was the sound of the waves. Wave after wave curling, lapping, foaming and hissing, receding back into the silence. The only conceivable sound for silence and solitude was this rhythmic sough of the ocean. The first time he had discovered it was as a child in the north country, either by one of the volcanic lakes or on a gray beach facing the sea—he could no longer remember—and it had remained a constant longing and fulfillment inexplicably twined into the very being of his soul. This was the only thing that kept him sane and pure. To live without the surf would be a kind of spiritual death for him. Or so he believed. Now and then, however, distractions and temptations came. And he would return to the radio that played the music and news of every continent and planet. And with a furious and desperate hunger his hand worked the dial, seeking and seeking every frequency and channel, every broadcast that traversed the great worlding. It always ended the same way. The cheerful bulletins, sultry whispers, alarmed voices, brass bands, orchestras, violent screams and mournful guitars all announced the monotonous death of civilization. Everything sounded similarly hollow and forgettable. The hand then touched the switch and the buttetscotch glow of the console faded into the darkness. Dispirited, his body walked slowly through the nightfall to the beach. There was no golden age, no elysium on any of the earths. The worlds were disappointments. And then the man of waves would walk along the shore and sit in the sand and listen to the breakers. The sounds of the ocean enveloped him. One evening, after meditating on the beach, he decided to invent the radio that others needed. And so night after night he brought a kind of blackbox or phonograph to the shore to record what the great seas whispered and moaned. This was the starting point of his invention, which he later built and exported to other lands. Not everyone found it useful, but wherever his radio played, people tended to find peace. It was a radio that poured out silence from its speakers. Not a mere absence of sound but the very sound of profound tranquility. It was a radio of the sea, of silence and solitude. It was a radio of prayer.
The angel brought the blindfolded doctor into the shade where the dark woods began. This is the border, said the angel. I will escort you into the darkness in a moment before leaving you. What is this place? The doctor trembled, feeling the cold hyrcanian air blowing through black needles and dripping undergrowth. It is the silent wood, also known as the forest of suicides. When someone wants to die, they lose themselves in its depths, walking for days until hunger, exhaustion, hypothermia, wolves or bears finish him off. Then I am to be murdered? Not at all, the angel laughed. You are a man of skills; it will be much easier for you to survive. It is more of a contemplative retreat offered freely. The doctor inhaled the fresh, ozonous air and wanted to believe the angel. Why this punishment or this forest? Some revenge for a tragedy long ago, a malpractice case? Not quite, the angel sighed. They say there are some 164,000,000 life forms in this particular forest. It is the perfect place for you to contemplate the 164,000,000 deaths that will occur in the next ten years from unnecessary or adverse medical interventions—and that is a conservative number. It is also the tonnage of waste your hospitals produce throughout seven countries in only one year. Sadly, the amount of debt created, money wasted or stolen, and the poverty figures far exceeded anything we could dream up in a practical manner—there was no forest big enough to match your needs in that respect, but this one will suffice to give you a general idea. They say that the silence and darkness have a calming, soporific effect, and nothing is better for beginning pure contemplation, confession and penance than a good night’s rest.
The time traveler was bursting with excitement as he traveled to the land and time of the pyramids and the great inundations. A cloudless blue sky stretched eternally over the endless white sands. After visiting the site of the pyramids, he made his way to the city, in search of a renowned scholar who had written treatises on trigonometry and suicide. Although he admired the scholar’s genius and foresight, he also could not wait to demonstrate the advances of mathematics, science and astronomy. The city was desolate. After searching various streets he knew from archaeology, and finding nobody, he began to panic. A dead horse gathered flies by the roadside. The cloudless sky burned. At last, he came upon an engineer, working with some complicated irrigation machinery by the river. The engineer spoke through sign language and writing in the sand. The time traveler said that he was looking for the man who posed the following word problem: when the pyramid is 250 cubits high, and the base is 360 cubits long, what is the measurement of the slope? You are too late, the engineer laughed and gestured, for he died centuries ago. He wrote a chronology in the sand for emphasis. What time is this? the traveler asked. It is the time of plagues. Which plague is this? the traveler asked. It is the apparent end to the plague of silence, said the engineer. Are you the one who wrote the treatise on plagues? The very same, said the engineer, playing with various, unidentifiable machine parts. Nobody has written of your plague of silence; it is mentioned nowhere, and at any rate, we know now that such plagues were mere proverbs and parables, not events! Besides, your chronology is wrong, and it is you who are too late–you were supposed to be alive ages ago! The engineer set down his tools again and asked the time traveler to speak of the future. The traveler spoke of flying machines, pandemics, bombs that wasted cities, raising pillars of cloud and fire, of machines that produced visions of love and suspense, and of machines that could think and speak. Those are not events, the engineer laughed, those are parables, too! Do not be afraid, though, this whole world and the universe is a word problem or a parable. Where can I find the bloody trigonometrist? the engineer demanded. I don’t know, the engineer sighed. I’m not a time traveler and my land is in ruins, as you see. There are real events, the traveler screamed, kicking at the dust to erase the chronology in the sand. It is not one giant parable or word problem! The engineer pondered the sand and the cloudless sky. It was in the days of the plague of silence. The lost traveler sat down and wept.
One can get tired of the lapping waves and the stroking oars. It turns out that there are a limited number of canals and bridges in the town, and the town itself is a limited island in a finite pond. One cannot even make a word problem in topology with this state of affairs. Monotony and despair are inevitable but lethal to the trade of the oarsman. The first is a spiritual problem, the second a practical problem. One can count passing birds, but this distraction only lasts for so long. An older oarsman once related a legend, saying that every time a gondola brushes against the shores of the pond, the coast erodes a little bit more, and the ringed sea expands. Some day, the pond and the gondolas will break through the rocky isthmus and reach the open sea. In the meantime, there is monotony and emptiness. It was already difficult when there were fewer stops, fewer coins, and fewer dinners, and yet the boat keeps moving, and the oarsman keeps punting and stroking the wet sea. These days, there are no real passengers, but they have left behind their seductive fragrances and phantom weights. Only ghosts ride, and rich or poor, they will not pay a single obol, drachma, hyperpyron, zecchino or florin, nor will the guild allow an oarsman to quit or retire. The ghosts are infuriating, but one can not accomplish anything with ghosts. They are notoriously inept at the art of conversation or navigation, incompetent at seduction, and will not help with the punting or steering despite riding for free. They have no appreciation for the coffin-black paint of the gondola, the physics of the forcola, or the laws of tracing cloud constellations. The unthought forcola especially bothers the oarsman, for it is a miracle of nature and engineering. The phantom weight of past passengers and the uncanny presence of ghosts and their intangible, almost irrelevant deaths only grows as the world drifts by. Other gondolas appear in the mists of distance, but no vessel ever catches up to another. A hideous silence laps at the lone wandering gondola.