One day, a man found a broken golden bird on the road. He gently picked the bird up and took it back to his quarters at the top of a high, round tower that looked out over the gray and barren moors. The kind man lit a lamp, gave the bird some seed and water, and made plasters and medicines to heal its body and wings. It would be many days before the bird could fly again, but the bird hated the cold stone tower and the night stars tempted it. Your medicine is slow and bitter, said the bird, and I do not believe in your magic. The only things I need to heal are the wind and the sky, the earth and its trees. The man thought for a moment, picked up the bird, and threw him from the high window full of night stars.
Long ago, before there were maps and charts, an old king commisioned his sons to venture out into the night, one to the east and one to the west, until they found the great white tree, which is said to be the heart of the world. Both sons had good hearts, and wanted to please their father, but they differed in temperament. The first was rash, while the second was longsuffering. It would be a long journey full of trials, tests and tempests. As he was leaving the stronghold, the first son met an alchemist in the market, a man well learned in the sciences, engineering and magic. He offered to give the prince a means by which he might travel through time and and space to arrive at the white tree immediately. The first son accepted, being a man of science himself, and wanting to please his father quickly; thus he paid the alchemist a fair amount of silver for the craft of such marvellous travel. The second son went to an inn, drank some ale, and spent a fortnight thinking. First, he tried to guess the cost of such a journey. When he realized the sum, he began to sell all he had. Night after night, merchants came to the inn. Some came to buy what the second prince sold. Others came to offer longboats, caravans, provisions, armies, shepherds and oarsmen to assist in the great undertaking. On the fifteenth day, having settled all his accounts and having finished all his preparations, the second son set out, his only possessions consisting of the armadas and caravans by which he would reach the white tree. Not many hours after the first son arrived in the mysterious land of the great white tree, a land of charcoal hills and old stars, the second son arrived, alone with one skeletal horse, his clothing torn, his head shaved and tattooed like a slave’s, his eyes almost dead of light. The great white tree towered above them, majestic and silent. The first son, whose journey had been instantaneous, asked the other how long he had traveled. And the second son said that it had been ten years. What have you seen on your travels? the second son asked. Nothing, said the first. And you, my brother, what have you seen? he asked, puzzled. Everything, said the second son, his eyes flickering back into life. The silence and power of the great white tree is a secret and tremendous thing, and it bestows its gifts differently to each who approach it. When the first son reached out to touch it, he faded into smoke and sand. And under the pale, long, and gnarled branches, the second son wept as the mineral stars sparkled in the night, but as he wept he knew his heart and the kingdom would live as long as the white tree soared into the sky.
There was a poor old lady who had lost her mind. She lived between the dark woods and the sea, and owned a russian blue cat. Though devoid of reason or memory, she never lost her generosity; though the cat was also in ill health, his devotion and loyalty to his mistress never faded. And thus began their descent into tragedy. For not long after she had fed him, whether it was morning, noon, or night, she would soon forget. Then, seeing his empty bowl, she would feed him again. In the beginning, the cat assumed this was the reward of retirement. He would end his days in one long, grand feast. As he ate his second or third bowl, he gratefully looked up at her now and then, thinking he was already in paradise. There is, however, no paradise on earth. As her madness progressed, so too the promptness with which she refilled his bowl. What had begun as a pleasant dream of eating now became a nightmare. Sometimes, he would delay or hide behind the cast iron stove or under the sofa, but she would sense his hesitation and begin to softly lecture him in a voice filled with hurt, worry or confusion. Was he losing his appetite? Had he fallen ill? Was her food no longer to his taste? He would try to explain, but could never bring himself to tell the full truth, for it pained him to see how her mind no longer worked and how its absence burdened her spirit. With a great sigh, the now heavy blue cat would pad over to the steel bowl, sigh again, and then lower his head to dutifully eat his meal. At least this brought joy to her; she would stroke his ears and fur, and wander off for a few minutes to iron the dishes or sew potato skins together until the next meal only moments later. The cat invented ways to gag down the now tasteless feed. First, he imagined a different kind of bird for each meal. There were sparrows, thrushes, doves, canaries, larks, blackbirds, nightingales, starlings, swallows, jays and shore birds. When he could no longer think of any more birds, each meal became a fish: goldfish, carp, eels, anchovies, mackerels, sardines, saury, fighting fish, baby salmon, trout, the cataphractus, smelts and sweetfish. The cat ate all the herbs of an imaginary garden, then the rodents, the wattle fences and telephone poles. He ate the switchgrass, silver grass, goldenrod, dandelions, cat tails, rushes and lilies. Then he began to eat the trees—yews, cypresses, cedars, elms, firs, cottonwoods, pines, horse chestnuts, linden trees, willows, black locusts, acacias, maples, and the golden larch. Through tears and cramps, he ate the gravel roads, riverside stones, the scree from the cliffs, boulders and mountains. In a moment of hallucinatory reprieve, he ate the cumulus, cirrus and nimbostratus; he ate the ocean currents, the waves, the driftwood and the glass fishing floats. Stabbing pains ripped through him as he ate comets, meteors and shooting stars. The cat ate the planets and the sun. Night and day he ate, until a great black void of stars and angels remained. The cat sighed. Then the cat whispered to nobody in particular that he would never eat the sacred stars or blessed angels. The angels heard his prayer and began to slowly glide toward him. The cat saw the stars flicker into darkness.
The dark river of forgetfulness rolled by quietly as two shadows played a game of checkers. One was tall and wore a corinthian helmet; his javelin and spear were planted by an ash tree nearby. The other was in black jeans and a black shirt with stone beads on his wrist; he frequently looked at a palm-sized, rectangular piece of glass that lit up now and then, displaying the absence of time or showing colored tessarae that had various functions that failed to impress the warrior. The man in black was complaining about passive aggressives, virtue signalling, fake news, and other mysteries. For a long time the warrior listened politely, stroking his heroic beard and puzzling over the meanings of the strange words in his friend’s diatribe. At long last, he placed his calculus on the board and said, I think I know what you are describing! We had a similar problem until the time of the tyrants, thousands of years ago, when they first built the theatre. The tyrant took that whole class of citizens and gave them something to do. A whole class? the man in black repeated with astonishment. What did you call them? he asked. Actors, the corinthian helmet replied bitterly. They’re called actors.
“And what do you think of Helicobacter pylori?” the scientist asked. “I like to think of it as a grave political mistake,” said the doctor, as he washed down his creosote, mastic, bismuth and licorice pills with a short glass of chartreuse.
A mysterious character once lived on a mountain by the sea. Those who visited him claimed that he was kind. At times he seemed ancient like an old grandfather; at other times as young and strong as an adolescent. The mysterious character could fish, set bones, build boats and read. He especially loved teaching children to read. When the town coroner heard this, he suspected danger. A plague was imminent. The coroner and the gendarmes arrested the mysterious man, and began the interrogation. What is your name? they asked. When he told him, they said that others had the same name; he must be lying. They gave him anasthetic and removed one lung, one kidney, his spleen, and some of his intestines, all of which they put in jars. After he awakened from his coma, they showed him the kidney in the jar. It was too worn out. Then they showed him the lung. It was too fresh and new. The intestines looked more like eels or gigantic tapeworms than guts. They lined the jars up on a table in front of him. The sight of his glassed innards made him sad. Then they showed him his inked dactylographs and pointed out the imperfections and secret codes embedded in them. In his stomach they had found some silver coins and old nails—these were also in jars, and labeled highly suspicious. Clearly the man was not only an impostor, but also a robotic monster crafted from old and new corpses, machinery, and even strange creatures. He had been sent to deceive with heaven only knew what manner of wizardry. They decided to cut off his hands and feet while he was still awake. Who are you? the coroner demanded as he sawed into a wrist. Mercy! the man sighed. I am whole, and I am true.