The dark river of forgetfulness rolled by quietly as two shadows played a game of checkers. One was tall and wore a corinthian helmet; his javelin and spear were planted by an ash tree nearby. The other was in black jeans and a black shirt with stone beads on his wrist; he frequently looked at a palm-sized, rectangular piece of glass that lit up now and then, displaying the absence of time or showing colored tessarae that had various functions that failed to impress the warrior. The man in black was complaining about passive aggressives, virtue signalling, fake news, and other mysteries. For a long time the warrior listened politely, stroking his heroic beard and puzzling over the meanings of the strange words in his friend’s diatribe. At long last, he placed his calculus on the board and said, I think I know what you are describing! We had a similar problem until the time of the tyrants, thousands of years ago, when they first built the theatre. The tyrant took that whole class of citizens and gave them something to do. A whole class? the man in black repeated with astonishment. What did you call them? he asked. Actors, the corinthian helmet replied bitterly. They’re called actors.
“And what do you think of Helicobacter pylori?” the scientist asked. “I like to think of it as a grave political mistake,” said the doctor, as he washed down his creosote, mastic, bismuth and licorice pills with a short glass of chartreuse.