And what questions would you pose to my golden pears? the demigodess, cloud-white in the amber, asked. That they rot not and forever ripen, that their motion be as perpetual as their silence and stillness, said the thief, the shadow of long lines and a shaded face. That they hold fast the downward gaze of the black bird and the bright stars, the whisper of wind, the consolation of reason and heartbeat of prayer. That they are to be invested in the golden hour, the devotion of rock sugar, the tobacco at twilight, the softness of milk tea and cottonwood blossoms. May the mound and barrow swell with swords and dragons and coins. May the hearth smoke and the song trail off. May the orchard rustle; may the sheep return. May the golden pears burn into the galaxy.
It was the end and the wanderers were in the land and there was great fear. The poor watched the moon and the meteor showers, while the lords and ladies poured wine and ate the ribs of their enemies in great banquets that lasted for days. One day a herdsman saw a wanderer, radiant with white smoke and the sparkle of tears or diamonds, passing through the poplars lining the snowbound road. “Wanderer, I have a question!” the herdsman called out in grief. The wanderer paused like an elegant deer and listened. “Should I fear the coming of the beast?” asked the herdsman. The wanderer thought for a moment in his silver glow of winter. “Are you the beast?” he gently asked the poor man. The poor man shook his head vehemently, and said, “I don’t think so. I pray that I am not!” Then the wanderer smiled, placed his hand on the head of the herdsman and whispered, “Then you have nothing to fear and all of the stars are yours.”
She was not golden, and so she had no fear. She spoke in the gray town squares every day, laughing and sneering at the enemies of her truth. None dared burn her, for she had her own fires to kindle. The woods called to her, she said. The earth was crying out for salvation. And thus she departed from the land of gray towers. She entered the dark woods with the book of her seven sacraments. She followed her heart. It was darker and brighter than she had hoped. There were black shadows and bursts of pure light through the spring and autumn leaves. Even the shadows seemed to hum with unseen light that burned her eyes. It was exhausting to walk between the lush boughs and the fallen leaves. It was tiresome to travel at the mercy of the terrain, the rocks and great trunks determining her every footfall. There were no gray mists. At last she came to the cabin, the woodshack, the lion’s den. Inside, it was too silent. She was disappointed to find that there was only one table, one bowl, and one bed. She tried to laugh, and lifted the bowl to her lips, but it was empty. Weary, she climbed into the long, great bed of cold wood and hay, and fell asleep. In the morning, a searing pain awoke her. She opened her eyes to see a solitary, gigantic bear, sleeping on his side with her ribs in his mouth. The bear awoke as well, and spat out her ribs. Why did you eat me? she gasped. I thought your ribs might save the world. The birds were whispering of it for years, but they were wrong. There is nothing in your ribs but death. She looked down into the abyss of her chest, and there was indeed nothing but a whirlpool of black flesh, dark blood and blue bottles. A distant groan like soft thunder passed through the woods. What will happen to me? she asked the bear. I do not know, the bear sighed. I do not think your carcass will make me any honey. And since your ribs grow nothing, I cannot keep you. She passed out, awakening later to find him dragging her body far, far from the woods into a great field of snow. And yet, I came to save you, to save your woods, to save the truth, she choked as her body slid down the slope of a pit. Why was the bowl empty? she cried out with the last of her strength. You stole our grain, the bear sighed. The last thing she saw were her ribs flying down from the bear’s paw to land in wet snow by her feet. A distant voice growled farewell. There were other empty and rotten ribs to eat before the end.
There was a poor old lady who had lost her mind. She lived between the dark woods and the sea, and owned a russian blue cat. Though devoid of reason or memory, she never lost her generosity; though the cat was also in ill health, his devotion and loyalty to his mistress never faded. And thus began their descent into tragedy. For not long after she had fed him, whether it was morning, noon, or night, she would soon forget. Then, seeing his empty bowl, she would feed him again. In the beginning, the cat assumed this was the reward of retirement. He would end his days in one long, grand feast. As he ate his second or third bowl, he gratefully looked up at her now and then, thinking he was already in paradise. There is, however, no paradise on earth. As her madness progressed, so too the promptness with which she refilled his bowl. What had begun as a pleasant dream of eating now became a nightmare. Sometimes, he would delay or hide behind the cast iron stove or under the sofa, but she would sense his hesitation and begin to softly lecture him in a voice filled with hurt, worry or confusion. Was he losing his appetite? Had he fallen ill? Was her food no longer to his taste? He would try to explain, but could never bring himself to tell the full truth, for it pained him to see how her mind no longer worked and how its absence burdened her spirit. With a great sigh, the now heavy blue cat would pad over to the steel bowl, sigh again, and then lower his head to dutifully eat his meal. At least this brought joy to her; she would stroke his ears and fur, and wander off for a few minutes to iron the dishes or sew potato skins together until the next meal only moments later. The cat invented ways to gag down the now tasteless feed. First, he imagined a different kind of bird for each meal. There were sparrows, thrushes, doves, canaries, larks, blackbirds, nightingales, starlings, swallows, jays and shore birds. When he could no longer think of any more birds, each meal became a fish: goldfish, carp, eels, anchovies, mackerels, sardines, saury, fighting fish, baby salmon, trout, the cataphractus, smelts and sweetfish. The cat ate all the herbs of an imaginary garden, then the rodents, the wattle fences and telephone poles. He ate the switchgrass, silver grass, goldenrod, dandelions, cat tails, rushes and lilies. Then he began to eat the trees—yews, cypresses, cedars, elms, firs, cottonwoods, pines, horse chestnuts, linden trees, willows, black locusts, acacias, maples, and the golden larch. Through tears and cramps, he ate the gravel roads, riverside stones, the scree from the cliffs, boulders and mountains. In a moment of hallucinatory reprieve, he ate the cumulus, cirrus and nimbostratus; he ate the ocean currents, the waves, the driftwood and the glass fishing floats. Stabbing pains ripped through him as he ate comets, meteors and shooting stars. The cat ate the planets and the sun. Night and day he ate, until a great black void of stars and angels remained. The cat sighed. Then the cat whispered to nobody in particular that he would never eat the sacred stars or blessed angels. The angels heard his prayer and began to slowly glide toward him. The cat saw the stars flicker into darkness.
The dark river of forgetfulness rolled by quietly as two shadows played a game of checkers. One was tall and wore a corinthian helmet; his javelin and spear were planted by an ash tree nearby. The other was in black jeans and a black shirt with stone beads on his wrist; he frequently looked at a palm-sized, rectangular piece of glass that lit up now and then, displaying the absence of time or showing colored tessarae that had various functions that failed to impress the warrior. The man in black was complaining about passive aggressives, virtue signalling, fake news, and other mysteries. For a long time the warrior listened politely, stroking his heroic beard and puzzling over the meanings of the strange words in his friend’s diatribe. At long last, he placed his calculus on the board and said, I think I know what you are describing! We had a similar problem until the time of the tyrants, thousands of years ago, when they first built the theatre. The tyrant took that whole class of citizens and gave them something to do. A whole class? the man in black repeated with astonishment. What did you call them? he asked. Actors, the corinthian helmet replied bitterly. They’re called actors.
“And what do you think of Helicobacter pylori?” the scientist asked. “I like to think of it as a grave political mistake,” said the doctor, as he washed down his creosote, mastic, bismuth and licorice pills with a short glass of chartreuse.
A mysterious character once lived on a mountain by the sea. Those who visited him claimed that he was kind. At times he seemed ancient like an old grandfather; at other times as young and strong as an adolescent. The mysterious character could fish, set bones, build boats and read. He especially loved teaching children to read. When the town coroner heard this, he suspected danger. A plague was imminent. The coroner and the gendarmes arrested the mysterious man, and began the interrogation. What is your name? they asked. When he told him, they said that others had the same name; he must be lying. They gave him anasthetic and removed one lung, one kidney, his spleen, and some of his intestines, all of which they put in jars. After he awakened from his coma, they showed him the kidney in the jar. It was too worn out. Then they showed him the lung. It was too fresh and new. The intestines looked more like eels or gigantic tapeworms than guts. They lined the jars up on a table in front of him. The sight of his glassed innards made him sad. Then they showed him his inked dactylographs and pointed out the imperfections and secret codes embedded in them. In his stomach they had found some silver coins and old nails—these were also in jars, and labeled highly suspicious. Clearly the man was not only an impostor, but also a robotic monster crafted from old and new corpses, machinery, and even strange creatures. He had been sent to deceive with heaven only knew what manner of wizardry. They decided to cut off his hands and feet while he was still awake. Who are you? the coroner demanded as he sawed into a wrist. Mercy! the man sighed. I am whole, and I am true.