The Blotting Paper

The calligrapher loved to write and paint and make books. When he was not conducting official business, he read books of philosophy, thought about the world, and wrote or painted in his quiet house, sipping endless cups of tea. White mountains, black trees, worlds of snow, clouds of words, dragons of mist, and phoenixes of light covered the pages of many books alongside texts of parables and poems. The city sometimes summoned his texts for printing with great expectation; at other times, the city forgot him and his manuscripts. One day, the wind and rain rushed down upon the city, scattering rooftiles, breaking down walls and flooding homes. All of his books soaked up the dirty water and then bled out streams of rust and ink. The citizens wondered what he would do. Most thought that he would hang himself from his own willow tree. Instead, the calligrapher repaired roofs and walls wherever he could. Then he dried out his books and sorted them. While burning some, he examined the others that were disfigured but not burnable. With new soot from his fire, he made new ink and painted on the dried but disfigured pages that he had not burnt. When he ran out of these, he returned to buying new paper, but something had forever changed. Once again, he was painting, but always with blotting papers below the pages he painted on and with extra blotting papers at hand to place on top of his paintings. On certain days he would remove a blotting paper from beneath, and affixed his seal to it, to the unfinished poem or landscape of blots and marks. On other days, he would press a blotting paper to the top of a wet page and seal it after taking it off again, its dampness bearing the ghosts of brush strokes. Through abstractions of dark raindrops and pale silences, the calligrapher rebuilt the lost landscape.

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